Dedicated to the holy in nature. The life in the seed. The beauty that feeds the world.
The Amazing BBC podcast on the origins of money. In this episode, anthropologist David Graeber explores the origin of money. Defining money is a surprisingly tricky task. We use it all the time and yet, even among economists, there’s no consensus about what money actually…
Ikuru Kuwajima photographed the Mari El republic in Russia over the course of a year, learning about everything from witchcraft to paranormal activity. Read and see the photos here: https://www.theguardian.com/artanddesign/gallery/2016/dec/21/europes-oldest-pagans-mari-people-ikuru-kuwajima
The desert is an invention, a creation of emptiness in the plentitude of existence, an introduction of barrenness into the fecundity of being. However dry this biome, it is never entirely vacant. Besides containing rocks or sand, the actual desert from Atacama to the Sahara…
The bee friend, a painting by Hans Thoma (1839–1924) There was a time when almost every rural British family who kept bees followed a strange tradition. Whenever there was a death in the family, someone had to go out to the hives and tell the…
By Donika Kelly The war was all over my hands. I held the war and I watched them die in high-definition. I could watch anyone die, but I looked away. Still, I wore the war on my back. I put it on every morning. I…
You may have heard the news of what sounds like a resurrection story on the small island of Aldabra, off the coast of Madagascar. Around 136,000 years ago, the island was submerged in water and a layer of limestone captured the rails—a species of flightless…
W. H. Auden – 1907-1973
She looked over his shoulder
For vines and olive trees,
Marble well-governed cities
And ships upon untamed seas,
But there on the shining metal
His hands had put instead
An artificial wilderness
And a sky like lead.
A plain without a feature, bare and brown,
No blade of grass, no sign of neighborhood,
Nothing to eat and nowhere to sit down,
Yet, congregated on its blankness, stood
An unintelligible multitude,
A million eyes, a million boots in line,
Without expression, waiting for a sign.
Out of the air a voice without a face
Proved by statistics that some cause was just
In tones as dry and level as the place:
No one was cheered and nothing was discussed;
Column by column in a cloud of dust
They marched away enduring a belief
Whose logic brought them, somewhere else, to grief.
She looked over his shoulder
For ritual pieties,
White flower-garlanded heifers,
Libation and sacrifice,
But there on the shining metal
Where the altar should have been,
She saw by his flickering forge-light
Quite another scene.
Barbed wire enclosed an arbitrary spot
Where bored officials lounged (one cracked a joke)
And sentries sweated for the day was hot:
A crowd of ordinary decent folk
Watched from without and neither moved nor spoke
As three pale figures were led forth and bound
To three posts driven upright in the ground.
The mass and majesty of this world, all
That carries weight and always weighs the same
Lay in the hands of others; they were small
And could not hope for help and no help came:
What their foes like to do was done, their shame
Was all the worst could wish; they lost their pride
And died as men before their bodies died.
She looked over his shoulder
For athletes at their games,
Men and women in a dance
Moving their sweet limbs
Quick, quick, to music,
But there on the shining shield
His hands had set no dancing-floor
But a weed-choked field.
A ragged urchin, aimless and alone,
Loitered about that vacancy; a bird
Flew up to safety from his well-aimed stone:
That girls are raped, that two boys knife a third,
Were axioms to him, who’d never heard
Of any world where promises were kept,
Or one could weep because another wept.
The thin-lipped armorer,
Hephaestos, hobbled away,
Thetis of the shining breasts
Cried out in dismay
At what the god had wrought
To please her son, the strong
Iron-hearted man-slaying Achilles
Who would not live long.
